Monophonics w/ Jesse Ray Smith

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Monophonics w/ Jesse Ray Smith
Saturday, October 19, 2019 7:30 PM
Mystic Theatre & Music Hall, Petaluma, CA
  • 21 & over
Admission Type Price Quantity

General Admission

$19.00
ALL SALES ARE FINAL
Show Details
  • When: Saturday, Oct 19, 2019 7:30 PM (Doors open at 7:00 PM)
  • Ticket Price: $19.00 - $23.00
  • Door Time: 7:00 PM
  • Show Type: Soul
  • Restrictions: 21 & over
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Monophonics

with Jesse Ray Smith 

Doors 7:00 / Show 7:30pm 
$18 in advance / $23 day of show 

Monophonics:

Monophonics are just hitting their stride as one of the premier soul bands in the country. The Bay Area band delivers cinematic songs with timeless hooks anchored by Kelly Finnigan’s soulful organ and powerhouse vocals. Their sound is inspired equally by classic soul, heavy funk, psychedelic rock, and classic American songwriting.
 
The band’s main members live just North of San Francisco, CA in Marin county, a place revered among artists, surfers, hippies and musicians; three of them grew up here. The band members simultaneously revere and honor the Bay Area’s colorblind and highly diverse musical tradition that dates back to Haight/Ashbury’s psychedelic revolution and Sly Stone and the Family Stone’s multiracial, funky grab-bag. Soulful vocals, funky drum-breaks, psychedelic guitar licks and fuzz bass intermingle effortlessly across the band’s catalogue, most effortlessly on their newest EP: “Mirrors”.
 
Mirrors delivers a six-song fix to fiending fans and curious newcomers in advance of a new Monophonics full-length later in 2018. The release is all cover tunes with some well-known songs mixed in with some seriously deep cuts, all band favorites. “Sound of Sinning” (Transistor Sound Records, 2015), the band’s second full-length album since lead singer, producer and keyboard player, Kelly Finningan joined the band. Evolving from their psychedelic soul roots with “In Your Brain,” (Ubiquity, 2012), “Sound of Sinning” displays the bands’ appreciation for classic song craft and Summer of Love pop-soul-psychedelia.
 
Monophonics’ meticulous, yet raw recordings start just like their raucous and soulful live shows, “in the same room, cutting live as a rhythm section together,” Finnigan explains. Ryan Scott and Mike Rinta’s horn and string arrangements add accents and sonic colors to the tracks, completing the soul symphony. In the tradition of Stax, Muscle Shoals, Daptone and Dunham, Monophonics’ sonic approach is equal parts classic analog gear, (everything’s recorded to an old Tascam eight-track 1/4” tape machine), old-fashioned woodshedding, and Ian McDonald and Kelly Finnigan’s late night overdubs and studio wizardry. “We’re from the same school as the producers from the studios we love. We use the tools that we have to make the best records we can.”
 
Baked-in to any Monophonics record there’s a vibe, that elusive element that lesser bands can’t fake, as Kelly Finnigan put it: “I think it’s having people who are all on the same page, striving to capture that musical moment and being honest in their playing and being thoughtful and putting their ego to the side to serve the song.” Monophonics is Austin Bohlman (Drums), Ian McDonald (Guitar/Background Vocals), Ryan Scott (Trumpet/Back- ground Vocals/Percussion) & Kelly Finnigan (Keys/Lead Vocals) along with Max Ramey (Bass).
 


Jesse Ray Smith: I was raised in the artistic, small-town suburbs of Marin County, a few miles and a full generation removed from the hippy movement that swept through San Francisco in the late 60’s. From Fleetwood Mac's Rumours to Stevie's Songs in the Key of Life, many great records came out of Marin County, fueled by the musical prowess of legendary concert promoter Bill Graham. This was my home, and these legends were a part of the infrastructure that sustained us. Although my parents weren’t big Deadheads, their catalog ran deep, exposing me to a vast collection of great records and artists. Whether it was Graceland, Ziggy Stardust or Dark Side of the Moon — a record was always playing and music was a very present part of my life. 

My love for the craft of songwriting grew stronger as I got older. From as early as the age of ten, I had a pressing desire to follow in the footsteps of my musical heroes. Not because they looked cool or lived the dream; because they SOUNDED amazing and, musically, had IT figured out. IT was always about the music for me, and as my family life became more tumultuous in my early high-school years, I came to rely on the cathartic escape that I experienced while sifting through my deeper thoughts and emotions. I kept my head down through, what feels like, the dark ages of my early life, as I watched my mother’s addictions swallow her up. Music became my drug and has remained that way to this day, always providing me with the needed awareness and reflection to navigate my way through the rapids toward calmer waters. I feel like my best work has always come in times of need - when I had nowhere to go to find the truth but deeper within. I am confident that need is lasting. 

So here I am: a few bands removed, a husband, a father and a songwriter, finally facing the music and all my ambitions head on. I’m focused on making the one thing that has always intrigued me the most: a Great record. One that comes from a place of truth and passion and carries a self-contained, distinctive and palpable presence and intention. All of the songs being considered are songs that I’ve written over the course of the last 10 years, as I navigated my way in and out of different musical and personal journeys. I hope you stick around for the “long story” and hear something you like.

~ Jesse Ray Smith