Albert Cummings w/ Danny Click & The Hell Yeahs

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Albert Cummings w/ Danny Click & The Hell Yeahs
Friday, February 15, 2019 8:30 PM
Mystic Theatre & Music Hall, Petaluma, CA
  • 21 & over
 
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Show Details
  • Ticket Price: $15.00 - $49.99
  • Door Time: 7:30 PM
  • Restrictions: 21 & over
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KRCB 91.1FM presents
Doors 7:30pm / Show 8:30pm
Tickets: $15 in advance / $18 day of show
Albert Cummings: Entertaining audiences from his phenomenal guitar work to his incredibly impassioned lyrics and overall songwriting prowess - one thing has certainly become clear about Albert Cummings’ music: He is FAR MORE than simply just the guitarist or the bluesman he’s often painted as by fans and the media alike. He offers the complete package.
Though undoubtedly a masterful guitar player who burst onto the blues rock scene in the early 2000’s and almost immediately began gaining praise in that realm, his latest release “Live at the ‘62 Center” further portrays not only his versatility as singer/songwriter and live performer but as an artist first and foremost.
This comes to fruition in the true spontaneity and creative spirit of the album, in which he put together a newly formed version of his usual trio that afternoon of the October, 2016 recording. With longtime friend and Grammy Winner Jim Gaines behind the soundboard, what comes through in both sight and sound is an incredible journey into the live performance world and true artistry of one of today’s most seasoned musicians.
His muscular guitar work is simply outstanding. He’s a great blues singer as well with passion for the tunes inherent in his full throttle approach.” - Rock and Blues Muse on Live at the ‘62 Center
Like many greats before him who’ve been painted into a corner as merely great blues players, or guitar players, or singers - Cummings seeks to rise above these labels and be praised for the devotion to his overall craft as a true musician. In artist terms - he’s sought to be known for the overall pallet of his music, rather than one specific color. From greats like Eric Clapton to the more recent stylings of John Mayer, his artistic integrity has allowed him to focus on the big picture, writing songs from the heart rather than catering to his specifics strengths as a singer, guitarist, or bandleader (all of which he does impeccably, however).
His musical journey began when young Albert first picked up a guitar - learning the requisite three chords from his father, but later switched over to banjo at the age of 12 after becoming a bluegrass fan. After hearing the early recordings of Stevie Ray Vaughan, he was impressed by the sheer virtuosity of the artist, and following his first chance to see him LIVE while in college in Boston he returned to the guitar with a new outlook and resolve.
At age 27, as he continued to grow in his newfound passion, he landed on the Northeast blues circuit with his first band Swamp Yankee. Then, in 1998, after walking into a Northeast Blues Society’s open jam, Cummings won the right to compete in the Blues Foundation’s International Blues Challenge the following year. By 2000, his debut single “The Long Way” was released to rave reviews, and began opening new doors for the artist.
His first big opportunity came in the form of a chance to work with Double Trouble, the late Stevie Ray Vaughan’s rhythm section. So taken with Albert’s fire and passion were bassist Tommy Shannon and drummer Chris Layton that they volunteered to play on and produce his solo debut recording, 2003’s self-released From the Heart. Recorded in Austin, Texas, it featured Cummings fronting Double Trouble (including Reese Winans) in their first recording project since Stevie Ray’s passing. Having began his musical journey in part due to Vaughan’s inspiration, it seemed Cummings’ passion had brought him full-circle.
Cummings’ soulful and explosive approach to blues and rock then caught the attention of Blind Pig Records (Muddy Waters, Jimmy Vivino, Elvin Bishop), which signed him to a multi-album deal. On his label debut, True to Yourself, released in 2004, Cummings was again joined by bassist Tommy Shannon. Recorded by producer extraordinaire Jim Gaines (Santana, Stevie Ray, Buddy Guy), the all-original release showcased Albert’s rapidly developing songwriting chops and deeply emotional vocals as well as stunning guitar pyrotechnics, fully showcasing his well-rounded talents.
Soon tours and shows with blues legends B.B. King, Johnny Winter, Buddy Guy and others brought Albert’s music to a much larger audience.
His second release, Working Man (2006), also produced by Jim Gaines, furthered a growing focus and maturity both in Albert’s stinging, incisive guitar work as well as in his fluently idiomatic songwriting - leading Billboard Magazine to exclaim “This recording is the calling card of a star who has arrived”.
2008 saw his first live album “Feel So Good”, recorded at the historic Colonial Theatre in Pittsfield, Massachusetts which has hosted everyone from Will Rogers to Al Jolson. The audience was so enthralled and supportive they became part of the performance in a way that’s rarely heard. As AllMusic put it, “It sounds like it was one hell of a party that night”. Music Connection also called it “one of the best live albums recorded in a long time”.
As he continued to grow, playing with the likes of legends from B.B. King (who called dubbed him “a great guitarist”), Johnny Winter, Buddy Guy, and many more - Cummings built on not only his all-around songwriting and musicianship but his guitar playing skill as well. Using his knowledge to give back to fellow guitarists wanting to advance in their craft, he released the instructional DVD “Working Man Blues Guitar” in 2011. His next album, 2012’s self-released “No Regrets” followed as a return to his true musical roots, poignantly capturing the core of his influences and displaying the impact that R&B, Rock, Soul, Country, and the Blues have had on both his playing and writing. It debuted at #1 on iTunes music charts in the USA, Canada and France.
2015’s “Someone Like You” was recorded in Southern California with Grammy-winning producer David Z. (Buddy Guy, Prince, Jonny Lang, Gov’t Mule) at the helm. Said Z, “Albert Cummings writes, plays and sings the blues like nobody else. What a blast to watch him jell in the studio with some of the best musicians in Los Angeles.” One of those musicians was Blind Pig label mate and leader of The Basic Cable Band on the Conan TV show, Jimmy Vivino, who performs on three cuts.
Now, as he continues writing and performing, relentlessly devoting effort to his craft, Cumming’s is ready to continue on his ever expansive musical journey.
Danny Click & The Hell Yeahs: Until a few years ago, Danny Click was one of Austin’s best-kept secrets, a musician’s musician who’d won the respect of some of alt-country’s biggest names but hadn’t yet found widespread recognition.
That changed when Click’s latest CD, Life Is A Good Place, was released in April, 2011 and spent more than 12 consecutive months on the Country, pop, and Americana radio charts.
The first single, “Wait My Turn”, reached #1 on Nashville’s Indie World Country Chart, and the second single, “I Feel Good Today”, topped out at #14 on the NMW national Country chart along side Keith Urban, Miranda Lambert and Taylor Swift.
In the San Francisco Bay Area, where Click now resides, he’s built a large and passionate fan base that includes musical greats Carlos Santana and Elvin Bishop, both of whom have joined him on stage for impromptu jams.
Click and his band The Hell Yeahs, featuring a round-robin roster of top-shelf musicians, have played more than 200 sold-out shows over the past two years, as well as opening for legends Taj Mahal, Cake, Robert Plant, Mavis Staples, Sonny Landreth and JJ Cale.
Last summer Click bumped it up another notch, playing large festivals like the new Mount Tam Jam and Waterfront Blues Festival in Portland.
What’s causing all the buzz? First, there’s Click’s sound – a refreshing return to smart, sassy blues-inflected country rock. Think Tom Petty crossed with Wilco, spiced with the southern tradition of Lucinda Williams and John Hiatt. Add to that Click’s searing guitar, reminiscent of Stevie Ray and David Lindley, and you’ve got at least part of the picture.
Then there are Click’s live shows; an anything-can-happen mix of stellar songwriting alternating with blistering blues-rock. When Click brings it down with the strings-inflected “Blue Skies”, you can hear every breath in the room; when he launches into the infectious “Wait My Turn,” there’s not one person who can stay seated.
Lastly, there’s his songwriting. Continuing in the tradition of the Texas greats, Click pens wide open songs deeply rooted in a life well-lived. Growing up in a small farm community outside Indianapolis, Click was the youngest of nine children in a working class family. He was gigging in his older sister’s country and western band before he was out of high school.
Click moved to Austin, where his three-piece alt-country outfit, Danny and the Hurricanes, was a local phenomenon. He then spent three years with Americana artist Jimmy LaFave.
Life Is A Good Place is the payoff, putting Click squarely in the upper echelon musically and lyrically. From its radio perfect songs to the sparse stories taken from real life, it leaves you filled with hope and a new respect for the human condition.
Fast forward to 2013. After four previous records and literally hundreds of gigs on the road, Click’s latest single, Baptize Me Over Elvis Presley’s Grave, went to #9 and stayed in the top 10 for the entire month of October, 2013. The music video is on CMT and is a viral share online.
In 2014, Danny became a regular guest at Grateful Dead legend Phil Lesh’s club, Terrapin Crossroads and released a ripping live CD, ‘Danny Click & the Hell Yeahs! ~ Captured LIVE!’
In April 2015, Danny and band finished a brand new studio album with legendary producer Jim Scott (Tom Petty, Rolling Stones, Wilco, Lucinda Williams, etc.) which was released worldwide on Sept. 18, and is still on radio charts and DJ playlists across the country.
The title track reached #1 on Indie Country radio in June 2016.
Hell Yeah indeed.